“Swarm” asks whether or not on-line fan tradition has gone too far

Be aware: this assessment accommodates plot particulars

In the summertime of 2019 Nicole Curran was attacked by a swarm of very indignant bees. Nicely, kind of. Members of the “Bey Hive”—a reputation utilized by superfans of the singer Beyoncé—posted emojis of the insect on Ms Curran’s Instagram account. A viral video had proven Beyoncé at a basketball recreation trying uncomfortable subsequent to Ms Curran (who’s married to Joe Lacob, the proprietor of the Golden State Warriors). In response, lots of of the star’s followers descended onto Ms Curran’s account to harass her; some even despatched demise threats. Ms Curran stated she’d “by no means skilled cyberbullying like this”. The sting, although digital, was painful sufficient to briefly drive her off the social-media platform.

The web has made it simpler for followers to kind communities across the musicians they love. It has additionally grow to be simpler to focus on their perceived enemies, or “haters”, as Ms Curran came upon. Such an occasion isn’t distinctive to the Bey Hive: different music followers, corresponding to these of Justin Bieber (“Beliebers”), Selena Gomez (“Selenators”), Nicki Minaj (“Barbz”) and Taylor Swift (“Swifties”), have been identified to behave in a equally aggressive trend.

In 2018 “stan”, a phrase used to explain “overzealous or obsessive” followers, entered the Oxford English Dictionary, named after a tune by Eminem a few fictional, murderous superfan of the rapper. “If there’s one factor that Stan Twitter is thought for above all else, it’s that when it turns towards you, it turns bitterly,” writes Kaitlyn Tiffany in her e-book about fandom and the web, “All the pieces I Want I Get From You”. Their assaults are sometimes persistent and co-ordinated.

“Swarm”, a brand new comedy-horror collection, explores this type of rabid obsession. Co-created by Donald Glover and Janine Nabers, the story follows Dre (Dominique Fishback), a younger girl and devoted acolyte of Ni’Jah (Nirine S. Brown), a pop sensation. (Ni’Jah appears like and shares autobiographical particulars with Beyoncé; her followers belong to the “swarm”.) At first Dre’s adoration, although odd sufficient to mark her out as a social outcast, is essentially innocent. She splurges on live performance tickets, proselytises about Ni’Jah’s work and tweets from a fan account.

That’s till her foster sister, Marissa (Chloe Bailey), additionally a Ni’Jah fan, commits suicide. With nothing left to dwell for however Ni’Jah, Dre’s fanaticism takes a violent flip. She travels throughout America alone, searching down individuals she believes have disrespected Ni’Jah or who stand in the best way of getting nearer to her. Any perceived slight is sufficient to provoke ire in Dre. A seemingly harmless query—“Who’s your favorite artist?”—turns into one thing extra menacing.

“On the core of fandom there may be an emotional tie,” says Lucy Bennett of the College of Cardiff, and as soon as that bond is solid, “usually there isn’t a trying again.” “Swarm” makes an attempt to grasp the facility of that attachment. Dre believes that she is destined to be associates with Ni’Jah and, utilizing info she has realized about her on-line, begins to persuade herself that she already is. That incentivises her to spend cash on the musician and to behave violently in her defence.

Mr Glover, who’s a well-known musician in addition to a screenwriter, might be drawing on his personal expertise of life within the public eye. The present makes good use of a star-studded solid—Billie Eilish, a success singer, makes her appearing debut—and the script refers to actual pop-culture occasions and viral social-media moments, together with Ms Curran’s story, with the intention to root the drama in one thing recognisable to younger viewers. However ultimately it acts out the poisonous facet of on-line fan tradition to the purpose of absurdity, with crude comparisons to cults. As Dre’s behaviour turns into more and more deranged, it additionally turns into more and more implausible.

The present’s energy lies in piercing the mystique of intimacy that social media create. The connection between pop star and fan is one-sided; a lot of what Dre thinks she is aware of about Ni’Jah’s character is a projection of her personal ideas and wishes. When Dre ultimately comes nose to nose together with her idol, it’s not Ni’Jah she sees, however her sister, Marissa.

“Swarm” is streaming on Amazon Prime Video now

© 2023, The Economist Newspaper Restricted. All rights reserved. From The Economist, revealed beneath licence. The unique content material will be discovered on www.economist.com

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Up to date: 23 Might 2023, 04:53 PM IST